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Research · God and belief

What the design argument can prove

Order and fine-tuning in nature point to an intelligent Creator. The paper argues this is real evidence, but on its own it cannot show that God is one, necessary and perfect.

Summary

In brief

The design argument starts from something everyone can see: nature is ordered, complex and seemingly purposeful. Its classic image comes from William Paley: if you found a watch on the ground you would conclude that someone made it, and an eye is far more intricate than a watch. This paper asks how much that kind of argument can actually prove.

The authors set out four forms of the argument: Paley's analogy; fine-tuning, the observation that the constants of physics fall within the narrow ranges that allow stars and life; biological design, as argued by Michael Behe and William Dembski; and inference to the best explanation, which asks which hypothesis best accounts for the evidence. They then weigh the main objections. David Hume said the universe is too unlike a watch to support a firm analogy, and that order could point to several limited designers. Darwin's theory of natural selection explains much biological complexity. The multiverse and the anthropic principle (we could only ever observe a universe that allows us to exist) offer other explanations of fine-tuning. In reply, Richard Swinburne argues that each piece of evidence adds to the probability of God, John Leslie compares fine-tuning to surviving a firing squad, and many theists see evolution as a means God uses rather than a rival to Him.

On the Islamic side, the paper links the argument to the Qur'an's language of ayat, signs in creation, citing verses such as 2:164 and 67:3. Al-Ghazali wrote of the design of the eye and the regular orbits of the planets, and Ibn Rushd called the order of nature an argument from providence (dalil al-'inayah). But classical scholars treated design as support for the cosmological proof, not a replacement for it.

The paper's central conclusion is about limits. Design alone cannot show that the designer is one (tawhid), that He exists necessarily, or that He has every divine attribute, and its evidence could one day be explained in other ways. Other arguments and revelation are needed. Its real value, the authors conclude, is as one strand in a cumulative case for God.

Key points

What the paper argues

  1. 01Design arguments take four main forms: analogy, fine-tuning, biological design and best explanation.
  2. 02Hume, Darwin and multiverse theories pose real challenges, and theists have replies to each.
  3. 03On its own, design cannot prove that God is one, necessary or perfectly good.
  4. 04Classical Muslim scholars used design to support the cosmological proof, not to replace it.

The paper

The Design Argument in Classical Theism: Philosophical, Theological, and Islamic Perspectives

01

Authors

Muhammad Harris Suhaib, Bisma Tariq, Farheen Iqbal

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Published

Journal for Current Sign, 12 December 2025

Read the full paper

This page is our summary. The paper itself sets out the full argument with its sources.